EASILY CONVERT YOUR MIDI CONTROLLER TO KENNY G SAX.
With this saxophone library, we guarantee that you will have the closest timbre of Kenny G sax.
WATCH KENNY G VST IN ACTION
SEE HOW IT WAS DEVELOPED
We just captured all the notes separately in a professional studio and used the same equipment and instruments of the famous saxophonist Kenny G, including mouthpieces and reeds. The result is a fantastic sound!
When recording Kontakt library, it was used the same setup of him, ie a Selmer Mark VI soprano saxophone with metal mouthpiece Dukoff D8 and Hemke reed #2 1/2. The result of these features is the actual timbre of him. The library was exclusively created and setup by musicians who work with MIDI Keyboard or Wind Controller. that can thus be performed with enough realism as if you were actually playing with an soprano saxophone Selmer Mark VI.
For (YAMAHA YDS-150, AKAI EWI USB, EWI 4000s, EWI 5000, EWI SOLO, Roland Aerophone, WX-Series of Yamaha).
Compatible with any midi controller keyboard with modwheel, for best results, use an expression pedal.
Compatible with breath controllers (TEControl, MRT audio, Yamaha BC3).
HERE ARE ALL THE EFFECTS IN REAL-TIME
Dynamics, Vibrato Intensity, Vibrato Rate, Attack Time, Release Time, Vel. Curve, Growl,Flutter Tonge,
Reflections, Pré Delay, Transition Flutter, Dynamics To Pitch, Detune, Portamento Time, CC Remapping,
Wind Controller Mode, Keyboard Mode, Breath Controller Mode, Microtuning, EQ and others.
The Graphical Interface
This is how the instrument looks upon loading. A warning message appears, reminding you that: An Expression controller (CC11, CC7 or CC2) is absolutely necessary for proper functioning of the instrument. The grey button in the top right corner opens a drop down menu. You may choose among several options.
Velocity Curve Mapping
It is well known that midi keyboards have different and uneven velocity response, and this may heavily influence the performance of a virtual instrument. To obviate this problem, the instrument includes automatic detection of any velocity inhomogeneities or non-linearity emitted by the keyboard, and provides automatic remapping to any desired curve.
All the controllers needed for proper functioning of the instrument are mapped to virtual knobs in three GUI panels, which can be activated by a drop down menu. The function of each controller is indicated by the associated label. The virtual knobs permit to monitor the incoming midi data, but can also be used to directly control the instrument.
Three different CC-remapping panels allow remapping of all controllers to any CC. You can change any parameter and route any effect to the chosen CC channel.
Wind controller Mode
This option opens the Wind Controller panel. By clicking on “Use Windcontroller” button, you will activate the universal Windcontroller mode. The selected mode will appear on the main view GUI. WC mode automatically maps the Dynamics to CC2. But you can change to any other CC.
Breath controller Mode
This option opens the Breathcontrol panel By clicking on “Use Breathcontroller” button you will activate the breath controller mode. The selected mode will appear on the main view GUI. BC mode automatically maps the Dynamics to CC2.
This option opens the Portamento Time panel. In Keyboard (default) mode, the duration of portamento is determined by the velocity of the overlapped note. While this represents a very convenient approach to portamento control, there might be cases where linking portamento time to a separate controller (such as CC5) would be preferable.
This is the most convenient way of transposing the incoming midi flow in order to cope with the mapping of the instrument. For example, the Tuba is mapped from C0 to F3. The Keyswitches are consequently mapped to C-2 – C-1.
This option opens the Microtuning panel. This is an entirely new feature, coping with the requirements of musicians using non-temperate scales. Our approach to microtuning yields maximal flexibility, allowing user-defined scales, where the extent of detuning (range +60/-60 cents) can be precisely set for each note.
In midi keyboard mode, pressing a blue and a red key simultaneously generates effects such as: Accent, Crescendo, Slower crescendo, Transient Vibrato,Vib-like ending #1,Vib-like ending #2, Short fall, Automated split portamento.
CUSTOMERS USING OUR PRODUCTS
Kontakt 5.8 or later
This VST requires the full retail version of Kontakt 5.8 or later (Kontakt Player is not supported).
Operational Systems: Windows (XP, Vista,7, 8, 10) and Mac (OSX 10.5 or later).
Keyboard or Windcontroller
A five-octave midi keyboard, mappable from C-2 to C5, with pitchwheel, modwheel, and an expression pedal or breath controller, constitutes the minimum requirements for real time playing.
Set up to work with breath controllers (TEControl, MRT audio, Yamaha BC3) wind controllers (YAMAHA YDS-150, AKAI EWI USB, EWI 4000s, EWI 5000, EWI SOLO, Roland Aerophone, WX-Series of Yamaha) and MIDI Keyboard controllers.
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